> I see that Clue has released another one. Miriamwhat do you mean by a live CD?
>The live ISIHAC CD is the whole material from recording, it basically
>
> On Friday, May 30, 2008, at 01:13 PM, Miriam wrote:
>
> > I see that Clue has released another one. Miriam
>
> what do you mean by a live CD?
>
>i am surprised you have not heard of them dean . they rock ! bascially
>
> On Friday, May 30, 2008, at 01:13 PM, Miriam wrote:
>
> > I see that Clue has released another one. Miriam
>
> what do you mean by a live CD?
> i am surprised you have not heard of them dean . they rock ! basciallythanks Linda and Chris, interesting.
> it is a less edited version of an isihac recording , mistakes and all.
> they even have some of jon naismiths warm up !
On Friday, May 30, 2008, at 09:33 PM, linda wrote:
> i am surprised you have not heard of them dean . they rock ! bascially
> it is a less edited version of an isihac recording , mistakes and all.
> they even have some of jon naismiths warm up !
thanks Linda and Chris, interesting.
I've only been to two JAM recordings but really, there isn't a lot of
gold left on the cutting room floor. I can only think of one incident.
Paul Merton went into this brilliant monologue which had reached
something like 50 seconds and it was very very funny, classic Merton
surrealism. He then clearly accidentally used the word "shit". He
immediately stopped and hung his head in shame, and the audience laughed
and applauded of course. Ross Noble pressed his buzzer and said "are you
allowed to say shit on the radio?" He finished off the minute.
There have been a few incidents of the word shit going to air on JAM and
as Paul had been so very funny I wondered if they might leave it in. But
they didn't. I wondered after if they might have let it go if Ross
hadn't repeated the word.
But that was it in three hours of live JAM. I wonder if they would have
enough material to make this sort of unedited edition worthwhile. Anyone
else got any stories of very funny moments at a live recording that
didn't make it to air?
>edited out in JAM.
> well this certainly dispells Nicholas' claims that nothing is ever
>bascially
> Dean Bedford <dbedford@...> wrote:
> On Friday, May 30, 2008, at 09:33 PM, linda wrote:
>
> > i am surprised you have not heard of them dean . they rock !
> > it is a less edited version of an isihac recording , mistakes andall.
> > they even have some of jon naismiths warm up !of
>
> thanks Linda and Chris, interesting.
>
> I've only been to two JAM recordings but really, there isn't a lot
> gold left on the cutting room floor. I can only think of oneincident.
> Paul Merton went into this brilliant monologue which had reachedMerton
> something like 50 seconds and it was very very funny, classic
> surrealism. He then clearly accidentally used the word "shit". Helaughed
> immediately stopped and hung his head in shame, and the audience
> and applauded of course. Ross Noble pressed his buzzer andsaid "are you
> allowed to say shit on the radio?" He finished off the minute.JAM and
>
> There have been a few incidents of the word shit going to air on
> as Paul had been so very funny I wondered if they might leave itin. But
> they didn't. I wondered after if they might have let it go if Rosshave
> hadn't repeated the word.
>
> But that was it in three hours of live JAM. I wonder if they would
> enough material to make this sort of unedited edition worthwhile.Anyone
> else got any stories of very funny moments at a live recording that
> didn't make it to air?
>
Clue Live vol. 2 will be released by BBC Audiobooks on 17th July 2008. Synopsis from BBC Shop:
A second volume of two specially compiled, extended-length shows from Jon Naismith's production archive, featuring out-takes, ad libs and audience interaction from the Clue team. Taken from the early 1990s, these shows (edition dates t.b.c.) feature the classic Clue line up of Humphrey Lyttelton, Graeme Garden , Barry Cryer, Tim Brooke-Taylor, Jeremy Hardy and the much-missed Willie Rushton. May contain swearing
And there you have it. You could’ve sworn it was an elephant. Which brings me onto another Clue-related item – the Hamish & Dougal book will finally be released on 28th August 2008. Synopsis from publishers Random House:
Hello there! You’ll
have had your tea? Dougal here. Well, here we go, with our wee book. It’s
a collection or pot pourri (I’ve no idea what Hamish means by that
– it sounds like something to do with the Pope) of our activities or
‘doings’ in the village we call home, because that’s exactly
what it is.
Together with our housekeeper, Mrs Naughtie, and of course, the Laird who lives
up at the big hoose and shoots grouse and other bottles of whisky, these are
the actual scripts of our wee show which we performed on the wireless, when
most of you were probably in bed!
Hamish and I have known each other all our lives – well, not yet,
obviously! We have a very close relationship and also with each other. Mrs
Naughtie been with us since we first met her at the Krankie Arms, where she was
working as part-time barmaid and bouncer.
In addition to the scripts you’ll find all kinds of other things tucked
away under its kilt. There’s a hectic social life in the village.
You’ll visit the 'bide a wee' café, proud possessor of three
Michelin tyres. You’ll have a conducted tour of the big hoose by Big Tam,
our local guide (not during opening hours). You’ll marvel at the site of
the Battle of
Auchtermuchty, now allotments. You’ll peek into the Laird’s social
diary in ‘oot and aboot’ (40p at the post office). And a great deal
more.
Well, I hope this wee note will make you hurry to the till and spend the
terrible amount of money these wee books cost these days. But then again this
particular wee book is Scotland ’s
answer to Richard and Judy! Hurrah!
Away now…
Although Humph and Clue may be gone, we can still have these mementoes to take home in a little doggy bag J
I just bought the first Clue Live CD set with Jeremy Hardy’s first recording (Harrogate, November 1995), and one of Willie Rushton’s last (Liverpool, October 1996)… and I’ve got The New Uxbridge English Dictionary, which contains a lot of the New Definitions from the round of the same name, so I end this message with a little taster from the book (available for £7.99 from all good bookshops):
Hamas – what Geordies use to bang nails in
Endorse – loser in the Grand National
AWOL – dyslexic owl
Sanctity – multiple-breasted Frenchwoman
Arsenic – to steal buttocks
Ant
From:
just-a-minute@...
[mailto: just-a-minute@... ]
On Behalf Of Miriam
Sent: 30 May 2008 02:13
To: just-a-minute@...
Subject: [just-a-minute] Will we
ever see a "live" JAM cd set
I see that Clue has released another one. Miriam
To me the best bit from the 1st "live" Clue was that on the buzzer
system they still had the panelist's names from JAM on them! Miriam
Yeah, the buzzers were shipped from a recording of Just a Minute in Nottingham to Harrogate . Loved Willie’s (brief) impression of Clement.
Ant
From:
just-a-minute@...
[mailto: just-a-minute@... ]
On Behalf Of Robert Torres
Sent: 31 May 2008 01:10
To: just-a-minute@...
Subject: Re: [just-a-minute] Re:
Will we ever see a "live" JAM cd set
Now
THAT's funny!
Miriam
<delmelza@yahoo. com> wrote:
To me the best bit from the 1st "live" Clue was that on the buzzer
system they still had the panelist's names from JAM on them! Miriam
----- Original Message -----
From: "linda" <irishmanufan@...>
To: <just-a-minute@...>
Sent: Friday, May 30, 2008 10:33 AM
Subject: [just-a-minute] Re: Will we ever see a "live" JAM cd set
> --- In just-a-minute@..., Dean Bedford <dbedford@...> wrote:
> >
> >
> > On Friday, May 30, 2008, at 01:13 PM, Miriam wrote:
> >
> > > I see that Clue has released another one. Miriam
> >
> > what do you mean by a live CD?
>
> i am surprised you have not heard of them dean . they rock ! bascially
> it is a less edited version of an isihac recording , mistakes and all.
> they even have some of jon naismiths warm up ! if you have i tunes look
> up the first live cd there . you can get it through audible .com .it is
> worth investing in
>
> if you want to buy it from amazon here is the link to amazon.co.uk
> http://www.amazon.co.uk/Im-Sorry-Havent-Clue-
> Live/dp/1846070538/ref=sr_1_4?ie=UTF8&s=books&qid=1212139349&sr=8-4
>
> the i'm sorry i haven't a clue second live cd is not due out until 10th
> july according to amazon.co.uk . here is the link :
> http://www.amazon.co.uk/Sorry-Havent-Clue-Live
> Collection/dp/140568836X/ref=sr_1_13?
> ie=UTF8&s=books&qid=1212139349&sr=8-13
>
> you may have to cut and paste this as the group message page seems to
> have no html function where you can programe in a link , the same with
> the second link too !
>
> there is also a new version of the uxbridge english dictionary out now
> and coming out later in the year a hamish and dougal script book and
> something called Lyttelton's Britain: Humphrey Lyttelton's Gazetter of
> the British Isles
>
> sorry about sounding like an infomercial !
>
> cheers
> Linda
>In general, quite right, but I wasn't charged at the Edinburgh recording
> As to charging for seats to hear a radio recording, the BBC make no
> charge
> for admission. So if you go to a recording at the Radio Theatre in
> Broadcasting House, London the tickets are free.
>
> If the recording is in a commercial theatre outside London, a small
> charge
> of £5 per seat ($10 US) is made by the theatre to cover its costs, in
> addition to the fee it charges the BBC for hire of the theatre for the
> day.
--- In just-a-minute@..., Dean Bedford <dbedford@...> wrote:
>
>
> On Sunday, June 1, 2008, at 06:42 AM, Clitheroe Kid wrote:
>
> >
> > As to charging for seats to hear a radio recording, the BBC make no
> > charge
> > for admission. So if you go to a recording at the Radio Theatre in
> > Broadcasting House, London the tickets are free.
> >
> > If the recording is in a commercial theatre outside London, a small
> > charge
> > of £5 per seat ($10 US) is made by the theatre to cover its costs, in
> > addition to the fee it charges the BBC for hire of the theatre for
the
> > day.
>
> In general, quite right, but I wasn't charged at the Edinburgh
recording
> I attended, which was widely advertised as one of the few free events
> that you could see during the Festival. I guess it's on a
venue-by-venue
> basis outside Broadcasting House.
>
>I think the problem is one of capacity. The Radio Theatre in
> Just one thought though: Is there a particular reason they don't use
> the Manchester BBC studios on Oxford Rd? Perhaps they're not suitable
> (I don't know, I've never been), but maybe this will change with the
> new MediaCity in Salford. If they come back again that is!
>some
> You may be able to find through uTorrent ( http://www.utorrent.com )
> material from ISIHAC which includes a recording, listed as "ISIHACExtras",
> made by a member of the audience at a recording session inWolverhampton in
> 2001.that were
>
> The sound quality is not great, but it includes all the material which
> didn't get included in the broadcast versions of the two editions
> recorded on that occasion.i downloaded it fomr uk nova . very interesting too .
> I think the problem is one of capacity. The Radio Theatre in
> Broadcasting House in London can hold 310 people whereas if it were to
> be held in (say) New Broadcasting House in Manchester then it would
> have to be held in TV studio where the capacity is nearer 100 as NBHM
> doesn't have a radio theatre.
>
> When I saw ISIHAC recorded at the Manchester Opera House, the capacity
> was 1,920. Put simply, lots more people could be at a recording in a
> theatre. WHich is clearly better for the fan base and arguably
> produces a better "atmosphere" for the recording itself.
>
> It's noticeable that not even all of the London recordings are done in
> the Radio Theatre and several have been at other theatres, for example
> the Mermaid.
>
> MediaCity:UK at Salford does include theatre and event spaces so it is
> possible that free shows will be coming to the Manchester area.
> However given that MediaCity isn't owned by the BBC the likelihood
> must be that they'll also be chargeable as the BBC would probably have
> to pay the landlords for use of the theatre.
>
----- Original Message -----
From: "Cat" <camc_84@...>
To: <just-a-minute@...>
Sent: Saturday, May 31, 2008 11:21 PM
Subject: [just-a-minute] Re: Will we ever see a "live" JAM cd set
I don't at all mind paying £5 for an evening's entertainment. Nothing
else in the city will be as good value for money!
It makes sense that if they do have to hire venues they may need to
impose a charge in order to offset the extra costs
Just one thought though: Is there a particular reason they don't use
the Manchester BBC studios on Oxford Rd? Perhaps they're not suitable
(I don't know, I've never been), but maybe this will change with the
new MediaCity in Salford. If they come back again that is!
--- In just-a-minute@..., Dean Bedford <dbedford@...> wrote:
>
>
> On Sunday, June 1, 2008, at 06:42 AM, Clitheroe Kid wrote:
>
> >
> > As to charging for seats to hear a radio recording, the BBC make no
> > charge
> > for admission. So if you go to a recording at the Radio Theatre in
> > Broadcasting House, London the tickets are free.
> >
> > If the recording is in a commercial theatre outside London, a small
> > charge
> > of £5 per seat ($10 US) is made by the theatre to cover its costs, in
> > addition to the fee it charges the BBC for hire of the theatre for
the
> > day.
>
> In general, quite right, but I wasn't charged at the Edinburgh
recording
> I attended, which was widely advertised as one of the few free events
> that you could see during the Festival. I guess it's on a
venue-by-venue
> basis outside Broadcasting House.
>
------------------------------------
Yahoo! Groups Links
----- Original Message -----
From: "kj.naughton" <kj.naughton@...>
To: <just-a-minute@...>
Sent: Sunday, June 01, 2008 11:48 AM
Subject: [just-a-minute] Re: Will we ever see a "live" JAM cd set
> --- In just-a-minute@..., "Cat" <camc_84@...> wrote:
> >
> > Just one thought though: Is there a particular reason they don't use
> > the Manchester BBC studios on Oxford Rd? Perhaps they're not suitable
> > (I don't know, I've never been), but maybe this will change with the
> > new MediaCity in Salford. If they come back again that is!
>
> I think the problem is one of capacity. The Radio Theatre in
> Broadcasting House in London can hold 310 people whereas if it were to
> be held in (say) New Broadcasting House in Manchester then it would
> have to be held in TV studio where the capacity is nearer 100 as NBHM
> doesn't have a radio theatre.
>
> When I saw ISIHAC recorded at the Manchester Opera House, the capacity
> was 1,920. Put simply, lots more people could be at a recording in a
> theatre. WHich is clearly better for the fan base and arguably
> produces a better "atmosphere" for the recording itself.
>
> It's noticeable that not even all of the London recordings are done in
> the Radio Theatre and several have been at other theatres, for example
> the Mermaid.
>
> MediaCity:UK at Salford does include theatre and event spaces so it is
> possible that free shows will be coming to the Manchester area.
> However given that MediaCity isn't owned by the BBC the likelihood
> must be that they'll also be chargeable as the BBC would probably have
> to pay the landlords for use of the theatre.
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