>of
> This is an interesting piece on why panel games are so British and
> course the comments apply just as much to radio panel games as TVones.
>what
> I like Dara O'Briain's comment a lot - "There's an argument that
> these shows really are is soap opera, as you get to know thelarge
> personalities involved". The soap opera element is certainly a
> part of JAM's success and I think why some people still hanker forthe
> shows with that king of drama queens, Kenneth Williams. But eventoday,
> the clashes between say Paul and Nicholas are often the high pointsof a
> show.watch
>
>
>
>
>
>
> From The Daily Telegraph of July 10
>
> For an extra point, why are panel games so popular?
>
> Over the next two days, Serena Davies can find almost nothing to
> except comedy quiz shows which, she says, are a peculiarlyBritish
> pastimequintessentially
>
> Cricket, drizzle, Yorkshire pudding: some things are
> British. To that list, you could add one TV format the comedypanel
> game. BBC2's Mock the Week is back for a sixth series tonight;tomorrow,
> a second innings of Would I Lie to You? begins on BBC1. Alsotomorrow,
> there are mid-series editions of BBC2's QI and Channel 4's 8 out of10
> Cats. Few formats can boast such abundance, loyalty or stayingpower
> and this in a week when the Big Daddy of them all, Have I Got Newsfor
> You (next series: number 36), isn't even on.many
>
> Dara O'Briain, presenter of Mock the Week and past participant on
> another example of the genre, from Never Mind the Buzzcocks toHIGNfY,
> thinks there are so many panel shows because, as he puts it, "Theyhave
> a format that can be pointed at anything." He says someone's evencome
> up with a comedy panel show about sudoku, though that claim proveshard
> to verify.are
>
> In the USA, cheap television is a national pastime, yet panel shows
> unheard of. "I think Americans like their funny delivered in adifferent
> way," says O'Briain. "They do a lot more late night chat shows inof
> America: the equivalent to getting on a panel show is getting on
> Letterman or The Daily Show. But we prefer the parlour game element
> the panel show; it suits our dry humour. Whereas Italians like thegiant
> variety show on a Saturday, we like people being wry and sardonicabout
> stuff."says
>
> For the visiting guests, a panel show can be a less intimidating
> prospect than a chat show appearance. "8 Out of 10 Cats is very
> celebratory. We want the celebrity guests to have a good time,"
> Derek McLean, the series producer on both that show and Would I Lieto
> You?. "We don't rip them apart. That's very much at the front ofour
> minds."to
>
> Brits have also got panel shows down to a fine art. The genre plays
> the strengths of many of our most popular comedians spontaneity,and
> the ability to improvise. Viewers of BBC3's Rob Brydon's Annuallydown
> Retentive in which researchers for a fictional panel game sat
> before filming and fed one-liners to the guests might imaginethat all
> shows are scripted. But the better shows are a lot less scriptedthan
> you might think (barely at all in the case of Mock the Week andWould I
> Lie to You?, although the participants do arrive with a few jokesin
> their back pockets). "Basically, panel shows are a chance to dostand-up
> on TV," says O'Briain. "There are three hundred comics out therewho are
> desperate to get on television, but there are very few shows whereyou
> can just do stand-up so you end up doing it in little chunks on amany
> panel show." Experienced stars such as David Mitchell perform on so
> panel shows because, as O'Briain puts it, "David can producecontent out
> of air."you
>
> It's the talents of these comedians that make or break a show. "The
> casting is so important," says producer McLean. "Ultimately what
> hope when a show's successful is that the format almost falls away.All
> you notice is how the characters interact and you're almost notaware
> there's a format anymore."the
> advertisement
>
> The most famous example of this is Have I Got News for You, where
> banter between team captains Ian Hislop and Paul Merton and theirshow,
> torture of each week's guest host provides the dynamic of the
> and the discussion of the week's news takes second place.opera, as
>
> "There's an argument that what these shows really are is soap
> you get to know the personalities involved," says O'Briain. "Therecould
> should be as much spontaneous stuff as possible, otherwise you
> just email in a series of one-liners and actors could read themout."
>we're
> So the panel show may be a bit of a con, bluffing us into thinking
> watching a show about the news, music, opinion polls or, er,sudoku
> when really they're sparring about nothing. ("Comedians are verylazy,
> remember," says Mack, on this point). But with a dozen or socurrently
> thriving in the schedules, the time when we'll be watching actors
> reading out emails instead seems a long way off.
>
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