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What I have got on my Ipod

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Dave BOct 31, 2011

If I tire of listening to JAM on my Ipod, then its Linda Smith's a Brief History of Timewasting or Milton Jones. I have Hitch-hikers Guide to the Galaxy, Dads' Army and Hancock but they rarely get an earing.

Though I think Milton is very funny with scripted material and one liners he knows well (and he makes me feel happy), I just don't think he could manage Just A Minute.

I have changed the thread title as Mark has launched this off on a tangent. Also now sounds like a JAM subject........

Dave

From: nylon net <nylon@...>
To: just-a-minute@...
Sent: Monday, 31 October 2011 12:18 AM
Subject: Re: [just-a-minute] Re: What is JAM?

Oh what a tangled weave this thread could become.

I started with the Goons on the radio at the age of about 8 (about 1965) and can still nearly wet myself hearing them for the hundredth time ("Caesar ruled with an iron fist, a wooden foot, and finally a piece of string.")
I love Brit comedy - esp. Python, Coogan, Buzzcocks, QI - well, nearly everything except 'My Family' and 'On the Buses'.
I like non-Brit material that has a Brit feel - particularly the Canadians (e.g. Northern Exposure, Corner Gas).
Some of the drier American styles are good (30 Rock, Frasier) - and most of the stuff they get on cable because they won't show it otherwise.
Unfortunately most Australian comedy doesn't go down well with me (esp. our sitcoms)
I'm fond of black stuff like South Park, John Waters' films etc.
And you'll be pleased to hear I love 'Flight of the Conchords' - I think the Kiwi sense of humour is more Brit-like than ours.

What do you other guys have on your comedy iPods?

Mark

-----Original Message-----
From: dbedford@...
Sent: Sun, 30 Oct 2011 10:35:34 +1300
To: just-a-minute@...
Subject: Re: [just-a-minute] Re: What is JAM?

This is an interesting post... gee, we’ve had some interesting, thoughtful posts recently that have been most enjoyable to read.

Mark, I wonder if you would post some of your other comedy interests, I’d just be interested to see them. I do agree – and I think Paul Merton once made a similar remark – that part of the enjoyment of JAM is that it can be played in different styles, and enjoyed on different levels. And there’s an old saying that goes something like “"once you try to analyse why a joke is funny, the joke disappears...”. Still it’s fun to talk about.

From: nylon net
Sent: Saturday, October 29, 2011 6:43 PM
To: just-a-minute@...
Subject: RE: [just-a-minute] Re: What is JAM?

<soapbox>

As with the peculiarly oblique and ineffable appeal of R.E.M., if one could ever reach a clear conclusion to the meaning of JAM, it will lose its powerful joy.

To me, it is the fact that it is so varied in its observation of rules, its catholic delivery styles, and its ever-shifting "purpose" that it continues to be fresh and curiously attractive over the decades.

Once the mystery goes, interest soon follows. Like children, we keep listening because the ground of JAM keeps shifting under our feet and it fascinates us. It defies definitive classification. While we *want* to finally categorise it and earmark it and say we grok it, the adult in us hopes we never will because after that point, it loses its flavour.

I once read that it's the faults in our partners that we love, not their perfections. It's the crooked teeth in our favourite actors that endear them to us, not their pearly Hollywood caps: and it's the eccentric oddities of JAM that keep me coming back, and analysing it too much starts to defeat my own enjoyment of it.
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